![]() ![]() Some old and famous paintings have become very disfigured by this the Qianlong Emperor was a particular offender. Chinese collectors liked to stamp paintings with their seals and usually in red inkpad sometimes they would add poems or notes of appreciation. In both formats paintings were generally kept rolled up, and brought out for the owner to admire, often with a small group of friends. The vertical hanging scroll was the classic format the long horizontal handscroll format tended to be associated with professional coloured painting, but was also used for literati painting. ![]() In Korea, painters were less segregated, and more willing to paint in two techniques, such as mixing areas of colour with monochrome ink, for example in painting the faces of figures. In practice a talented painter often had a advantage in climbing the bureaucratic ladder. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. Chinese scholars have their own views which may be different they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. Ink wash painting ( simplified Chinese: 水墨画 traditional Chinese: 水墨畫 pinyin: shuǐmòhuà is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. Liang Kai ( Chinese: 梁楷, 1140–1210), Drunken Celestial ( Chinese: 潑墨仙人), ink on Xuan paper, 12th century, Southern Song (Chinese), National Palace Museum, Taipei Miniature DIY Furniture & Accessories Kits Tools and Adhesives Small Scale Miniatures: 1/24th, 1/48th, 1/144th Playscale/Barbie Items Plans/Books/Magazines About Dollhouses Workshops Gift Certificates Special Offers Specials. Wood Dollhouses & Dollhouse Kits Dollhouse Furniture Unfinished Furniture Very Child Friendly Furniture Furniture Sets for Dollhouses Living Rooms Dining Rooms Bedrooms Bathroom Furniture Kitchens Children's/Nursery Furniture and Accessories Den Furniture Office/Professional Musical Instruments and Musical Items Fireplaces Games/Billiards/Bars/Pubs Library Outdoor and Garden Furniture Hallway/Vestibule Specialty Rooms Sewing Room Laundry Room Restaurants/Cafes Shop/Store Fixtures, Furniture and Goods 1/2" Scale Furniture Handcrafted by Artisans Miniature Dolls, People and Families Vintage and Estate Miniatures As Is Products Dollhouse Accessories Dollhouse Animals Dollhouse Building Supplies Dollhouse Miniature Lights Wiring Kits Supplies Interior Finishes - Wallpaper, Floors, Crowns.
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