![]() “I flew from Chicago, paid $144 (£117) for my ticket and parking and wouldn’t change a thing,” she said. “I go to a lot of shows, and seeing a longer one feels more worth the money,” says Charlotte Giese, a 28-year-old Chicago-based compliance analyst who watched Swift’s Eras tour last week in Glendale, Arizona. With controversy over rocketing ticket prices (about which the Cure are very vocal) amid a cost of living crisis, there seems to be a collective recognition of the need for lots of bang – or band – for your buck. “We’ve done a bunch of marathon shows now and our fans seem to dig it.”Īnother aspect is value for money. “Playing long shows felt like a challenge and a way of digging deeper into the discography,” explains frontman Stu Mackenzie, whose recent set lists have represented about a dozen of their albums. We’ve done a bunch of marathon shows now and our fans seem to dig it King Gizzard and the Lizard Wizard’s 23 long-players since 2010 provide a labyrinthine songbook that can’t be represented in a gig of even 120 minutes. Swift’s 44-song Eras setlist culls from 10 albums – 17 years of music. But newer artists have also shifted towards longer shows to showcase increasingly large back catalogues. The Boss’s current tour – arriving in the UK later this year – is averaging just under three hours. The Grateful Dead played five-hour sets in the 1970s and Bruce Springsteen’s live epics are legendary (the longest, in Helsinki in 2012, lasted four hours and six minutes). Other acts putting in unusually long stints on stage lately include K-pop stars Ateez (two and a half hours) and Aussie psych-rockers King Gizzard & the Lizard Wizard, who will play a three-hour marathon at Los Angeles Hollywood Bowl in June. Taylor Swift’s current Eras tour of the US finds the American superstar singing and playing for more than three hours every night, but she’s not the only one: veteran British goth giants the Cure, already fond of long gigs, performed 88 songs over three nights at Wembley Arena last December, averaging just under three hours every show. Have you ever done business with family? Share your experiences with us in the comments.Get ready to double the babysitter’s shift: pop concerts are getting longer. It is also important to remember that these partnerships are also subject to special legal and financial principles such as nepotism, tax law, inheritance law, and antitrust concerns. It may also be possible to anticipate potential family conflicts in advance and address them before long-term damage to the relationship is done (see also, Business Negotiations: To Avoid Disaster, Plan Ahead).įamily- business relationships are faced with their own unique challenges to bargaining. Family members should try and agree to the terms of the business relationship as early as possible and clearly outline the ways in which they will resolve future disputes. Often sources of conflict can be identified before they reach critical mass. Lastly and most importantly, you must plan ahead. If you get stuck on a particular issue it may be helpful to bring in a neutral third party such as a mediator to work out the details and help you reach a consensus (see also, Mediators and Business Negotiations: The Benefits of a Neutral Third-Party in Dispute Resolution). Addressing these difficult issues may seem overwhelming, but this process often leads to more successful outcomes. ![]() It is important to make sure you are explicit about the potential challenges and issues that may arise during negotiations. Underlying family tensions can often boil over intense negotiations. The Importance of Communication in Business Bargaining Download our FREE special report, Negotiation Skills: Negotiation Strategies and Negotiation Techniques to Help You Become a Better Negotiator, from the Program on Negotiation at Harvard Law School. Build powerful negotiation skills and become a better dealmaker and leader.
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